The paper is positioned carefully over the inked block, making sure the block will print precisely over the painted backgound. I then use a baren to rub the surface of the paper against the inked block, this is done with a firm pressure but carefully so the paper remains exactly in position.
... And then it's time to peel the paper off the block - it one confident movement so there is no smudging. I make a note of the order the prints are made so I can keep them in the same order when writing the edition numbers on them, and leave them to dry.
I love to read your comments (except for spam and advertising which I will delete) and I'll reply whenever I can, but I may miss some if I'm busy.And I've turned off that annoying word verification malarkey, to make it easy for you :-)